medium format

Film or analog photography is a wonderful hobby, but researching which camera to start with can be intimidating. After all, there’s more than a century’s worth of film history to consider and figuring out which model is right for you might seem impossible. Luckily, we’re here for you. Not only have we helped folks fall

Wanna make the leap beyond full frame? Fujifilm and Hasselblad have attractive mirrorless medium format systems—but which one is a better investment? Let’s look at the data.

You've seen us adapt classic SLR lenses to modern-day mirrorless cameras for video. How about putting some vintage Mamiya 645 medium format lenses on a fancy new Fujifilm?

We know Leica and Hasselblad gear is appreciating, but lately these less-flashy film cameras have become hot property.

Mamiya is synonymous with medium format film, but which one of their systems is right for you? Let's go through all the options.

With a full-frame camera like the Sony a7R IV being capable of capturing high-resolution images of over 60 megapixels, it’s getting more difficult for some photographers to justify the need for a digital medium format camera. But just looking at the number of megapixels misses the point, because when it comes to color reproduction, bit

In the mid-1950s, Yashica set out to copy a classic TLR—the Rolleiflex. Unfortunately, by nearly every measure, Yashica’s version didn’t match the quality and pedigree of a Rolleiflex. But the Yashica Mat doesn’t miss the mark by much. And in one key respect, Yashica actually beat the Rollei hands down—in price. To this day, the

Film photography is a wonderful hobby, but researching which camera to start with can be intimidating. After all, there’s more than a century’s worth of film history to consider and figuring out which model is right for you might seem like a sisyphean task. Luckily, we’re here for you. Not only have we helped folks

A couple weeks ago, I had the pleasure to fly up to Washington, D.C. to attend The Film Theory Workshop—a wedding photography workshop with a focus on film cameras. Naturally, since KEH has the largest collection of film equipment in the world, we provided gear for the day, which included several medium format cameras and

There’s no shortage of cameras that tout portability as their top attribute, yet fall short in areas like image quality, handling and ease of use. This makes me wonder—just because a camera is portable, is it actually worthy of being carried around? The answer to that is clear, but what’s interesting is this idea that

When Fujifilm chose to delve into the world of mirrorless medium format digital cameras, the public perception was that the line would mainly serve studio professionals and commercial photographers. That’s mostly due to the launch price of the GFX 50S, which—while cheaper than the Hasselblad X1D—was still hefty enough to keep most folks away. But

Recently, I had the chance to take the Hasselblad X1D for a week-long test drive. I’ll be straight up and tell you that this is a camera I strongly covet, but will try to keep any bias out of this review. It’s a lightweight and fun yet methodical medium format digital camera that can produce